Aili Bresnahan (bresnahan)

My contributions to Philosophie.ch

Bibliography

Bresnahan, Aili. 2015a. “Improvisation in the Arts.” Philosophy Compass 10(9): 573–582.
Bresnahan, Aili. 2015b. “The Philosophy of Dance.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/spr2015/entries/dance/.
Bresnahan, Aili. 2017. “Dancing in Time.” in The Routledge Handbook of Philosophy of Temporal Experience, edited by Ian Phillips, pp. 339–348. Routledge Handbooks in Philosophy. London: Routledge.
Bresnahan, Aili. 2019a. “Is Tap Dance a Form of Jazz Percussion?” in Midwest Studies in Philosophy 44: Philosophy of Dance, edited by Peter A. French, Howard K. Wettstein, and Patrick Londen, pp. 183–194. Malden, Massachusetts: Wiley-Blackwell, doi:10.1111/misp.12127.
Bresnahan, Aili. 2019b. “Perceiving Live Improvisation in the Performing Arts.” in Perception, Cognition and Aesthetics, edited by Dena Shottenkirk, Manuel Curado, and Steven S. Gouveia, pp. 106–121. Routledge Studies in Contemporary Philosophy. New York: Routledge, doi:10.4324/9780429462658.
Bresnahan, Aili. 2019c. “The Philosophy of Dance.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2019/entries/dance/.
Bresnahan, Aili, Katan-Schmid, Einav and Houston, Sara. 2020. “Dance as Embodied Ethics.” in The Routledge Companion to Performance Philosophy, edited by Laura Cull Ó’Maoilearca and Alice Lagaay, pp. 379–386. Routledge Companions. London: Routledge.