Robert Hopkins (hopkins-r)

Mentioned on the following portal pages

Contributions to Philosophie.ch

Bibliography

Cooper, David E. and Hopkins, Robert, eds. 1992. A Companion to Aesthetics. 1st ed. Blackwell Companions to Philosophy. Oxford: Blackwell Publishers.
Davies, Stephen John, Higgins, Kathleen Marie, Hopkins, Robert, Stecker, Robert and Cooper, David E., eds. 2009. A Companion to Aesthetics. 2nd ed. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 1975. “The Cant of Social Compromise: Some Observations on Mandeville’s Satire.” in Mandeville Studies. New Explorations in the Art and Thought of Dr. Bernard Mandeville (1670-1733), edited by Irwin Primer, pp. 168–192. Archives Internationales d’Histoire des Idées n. 79. Den Haag: Martinus Nijhoff Publishers.
Hopkins, Robert. 1994. “Resemblance and Misrepresentation.” Mind 103(412): 421–438.
Hopkins, Robert. 1997. “Pictures and Beauty.” Proceedings of the Aristotelian Society 97: 177–194.
Hopkins, Robert. 1998. “Review of Lamarque (1996).” The Philosophical Review 107(1): 140–142.
Hopkins, Robert. 2000. “Beauty and Testimony.” in Philosophy: The Good, the True, and the Beautiful, edited by Anthony O’Hear, pp. 209–236. Royal Institute of Philosophy Supplement n. 47. Cambridge: Cambridge University Press.
Hopkins, Robert. 2001. “Kant, Quasi-Realism, and the Autonomy of Aesthetic Judgement.” European Journal of Philosophy 9(2): 166–189.
Hopkins, Robert. 2003a. “What Makes Representational Painting Truly Visual?” Proceedings of the Aristotelian Society, Supplementary Volume 77: 149–167.
Hopkins, Robert. 2003b. “Pictures, Phenomenology and Cognitive Science.” The Monist 86(4): 653–675.
Hopkins, Robert. 2005. “Molyneux’s Question.” Canadian Journal of Philosophy 35(3): 441–464.
Hopkins, Robert. 2006a. “The Speaking Image: Visual Communication and the Nature of Depiction.” in Contemporary Debates in Aesthetics and the Philosophy of Art, edited by Matthew Kieran, pp. 145–159. Contemporary Debates in Philosophy n. 5. Oxford: Blackwell Publishers.
Hopkins, Robert. 2006b. “Critical Reasoning and Critical Perception.” in Knowing Art. Essays in Aesthetics and Epistemology, edited by Matthew Kieran and Dominic McIver Lopes, pp. 137–154. Philosophical Studies Series n. 107. Dordrecht: Springer.
Hopkins, Robert. 2006c. “With Sight Too Much in Mind, Mind Too Little in Sight? [on McGinn (2004)].” Philosophical Books 47(4): 293–305.
Hopkins, Robert. 2006d. “Painting, History, and Experience.” Philosophical Studies 127(1): 19–35.
Hopkins, Robert. 2007. “What is Wrong with Moral Testimony?” Philosophy and Phenomenological Research 74(3): 611–634.
Hopkins, Robert. 2008. “Reasons for Looking: Lopes on the Value of Pictures [review essay of Lopes (2007)].” Philosophy and Phenomenological Research 77(2): 556–569.
Hopkins, Robert. 2009a. “Abstraction.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 107–108. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009b. “Forgery.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 287–289. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009c. “Illusion.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 343–345. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009d. “Objectivity and Realism in Aesthetics.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 444–448. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009e. “Representation.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 504–507. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009f. “Senses and Art, the.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 530–533. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009g. “Taste.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 554–555. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2009h. “Testimony in Aesthetics.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 560–561. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Hopkins, Robert. 2010a. “Intersubjective Validity, Realism and Aesthetics.” Analysis 70(3): 557–562.
Hopkins, Robert. 2010b. “Moving because Pictures? Illusion and the Emotional Power of Film.” in Midwest Studies in Philosophy 34: Film and the Emotions, edited by Peter A. French and Howard K. Wettstein, pp. 200–218. Malden, Massachusetts: Wiley-Blackwell.
Hopkins, Robert. 2010c. “Inflected Pictorial Experience: Its Treatment and Significance.” in Philosophical Perspectives on Depiction, edited by Catharine Abell and Katerina Bantinaki, pp. 151–180. Mind Association Occasional Series. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199585960.001.0001.
Hopkins, Robert. 2011. “Depiction.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 64–74. Routledge Philosophy Companions. London: Routledge.
Hopkins, Robert. 2012a. “What Perky Did Not Show.” Analysis 72(3): 431–439.
Hopkins, Robert. 2012b. “Seeing-in and Seeming to See.” Analysis 72(4): 650–659.
Hopkins, Robert. 2012c. “Factive Pictorial Experience: What’s Special about Photographs?” Noûs 46(4): 709–731.
Hopkins, Robert. 2012d. “Re-Imagining, Re-Viewing and Re-Touching.” in The Senses. Classic and Contemporary Philosophical Perspectives, edited by Fiona Macpherson, pp. 261–283. New York: Oxford University Press.
Hopkins, Robert. 2013. “Perky, Phenomenal Similarity and Photographs: Reply to Nanay.” Analysis 73(1): 77–80.
Hopkins, Robert. 2016a. “ ‘Remember Leonard Shelby’: Memento and the Double Life of Memory.” in Art, Mind, and Narrative. Themes from the Work of Peter Goldie, edited by Julian Dodd, pp. 89–101. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780198769736.001.0001.
Hopkins, Robert. 2016b. “Sartre.” in The Routledge Handbook of Philosophy of Imagination, edited by Amy Kind, pp. 82–93. Routledge Handbooks in Philosophy. London: Routledge.
Hopkins, Robert. 2016c. “Realism in Film (and Other Representations).” in Current Controversies in Philosophy of Film, edited by Katherine Thomson-Jones, pp. 197–248. Current Controversies in Philosophy. New York: Routledge.
Hopkins, Robert. 2018. “Imagining the Past: On the Nature of Episodic Memory.” in Perceptual Imagination and Perceptual Memory, edited by Fiona Macpherson and Fabian Dorsch, pp. 46–71. Oxford: Oxford University Press, doi:10.1093/oso/9780198717881.001.0001.
Hopkins, Robert and Riggle, Nick. 2021. “Artistic Style as the Expression of Ideals.” Philosophers' imprint 21(8).

Further References

Lamarque, Peter. 1996. Fictional Points of View. Ithaca, New York: Cornell University Press.
Lopes, Dominic McIver. 2007. Sight and Sensibility: Evaluating Pictures. Oxford: Oxford University Press, doi:10.1093/0199277346.001.0001.
McGinn, Colin. 2004. Mindsight: Image, Dream, Meaning. Cambridge, Massachusetts: Harvard University Press.