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Andrew Kania (kania)

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Bibliography

    Gracyk, Theodore and Kania, Andrew, eds. 2011a. The Routledge Companion to Philosophy and Music. Routledge Philosophy Companions. London: Routledge.
    Gracyk, Theodore and Kania, Andrew. 2011b. “Performances and Recordings.” in The Routledge Companion to Philosophy and Music, edited by Theodore Gracyk and Andrew Kania, pp. 80–90. Routledge Philosophy Companions. London: Routledge.
    Kania, Andrew. 2007a. “Worlds Are Colliding! Explaining the Fictional in Terms of the Real.” Philosophical Studies 135(1): 65–71.
    Kania, Andrew. 2007b. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2007/entries/music/.
    Kania, Andrew. 2008. “New Waves in Musical Ontology.” in New Waves in Aesthetics, edited by Kathleen Stock and Katherine Thomson-Jones, pp. 20–40. New Waves in Philosophy. Basingstoke, Hampshire: Palgrave Macmillan.
    Kania, Andrew. 2009. “Musical Recordings.” Philosophy Compass 4(1): 22–38.
    Kania, Andrew. 2011a. “Definition.” in The Routledge Companion to Philosophy and Music, edited by Theodore Gracyk and Andrew Kania, pp. 3–13. Routledge Philosophy Companions. London: Routledge.
    Kania, Andrew. 2011b. “Memento.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 650–660. Routledge Philosophy Companions. London: Routledge.
    Kania, Andrew. 2011c. “Realism.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 237–248. Routledge Philosophy Companions. London: Routledge.
    Kania, Andrew. 2012a. “Concepts of Pornography: Aesthetics, Feminism, and Methodology.” in Art and Pornography: Philosophical Essays, edited by Hans Maes and Jerrold Levinson, pp. 254–276. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.
    Kania, Andrew. 2012b. “Platonism vs. Nominalism in Contemporary Musical Ontology.” in Art & Abstract Objects, edited by Christy Mag Uidhir, pp. 197–221. Basingstoke, Hampshire: Palgrave Macmillan, doi:10.1093/acprof:oso/9780199691494.001.0001.
    Kania, Andrew. 2012c. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/fall2012/entries/music/.
    Kania, Andrew. 2017a. “Music and Time.” in The Routledge Handbook of Philosophy of Temporal Experience, edited by Ian Phillips, pp. 349–360. Routledge Handbooks in Philosophy. London: Routledge.
    Kania, Andrew. 2017b. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/fall2017/entries/music/.
    Kania, Andrew. 2023. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2023/entries/music/.