Andrew Kania (kania)

Mentioned on the following portal pages

Contributions to Philosophie.ch

Bibliography

Gracyk, Theodore and Kania, Andrew, eds. 2011a. The Routledge Companion to Philosophy and Music. Routledge Philosophy Companions. London: Routledge.
Gracyk, Theodore and Kania, Andrew. 2011b. “Performances and Recordings.” in The Routledge Companion to Philosophy and Music, edited by Theodore Gracyk and Andrew Kania, pp. 80–90. Routledge Philosophy Companions. London: Routledge.
Kania, Andrew. 2007a. “Worlds Are Colliding! Explaining the Fictional in Terms of the Real.” Philosophical Studies 135(1): 65–71.
Kania, Andrew. 2007b. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2007/entries/music/.
Kania, Andrew. 2008. “New Waves in Musical Ontology.” in New Waves in Aesthetics, edited by Kathleen Stock and Katherine Thomson-Jones, pp. 20–40. New Waves in Philosophy. Basingstoke, Hampshire: Palgrave Macmillan.
Kania, Andrew. 2009. “Musical Recordings.” Philosophy Compass 4(1): 22–38.
Kania, Andrew. 2011a. “Definition.” in The Routledge Companion to Philosophy and Music, edited by Theodore Gracyk and Andrew Kania, pp. 3–13. Routledge Philosophy Companions. London: Routledge.
Kania, Andrew. 2011b. “Memento.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 650–660. Routledge Philosophy Companions. London: Routledge.
Kania, Andrew. 2011c. “Realism.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 237–248. Routledge Philosophy Companions. London: Routledge.
Kania, Andrew. 2012a. “Concepts of Pornography: Aesthetics, Feminism, and Methodology.” in Art and Pornography: Philosophical Essays, edited by Hans Maes and Jerrold Levinson, pp. 254–276. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.
Kania, Andrew. 2012b. “Platonism vs. Nominalism in Contemporary Musical Ontology.” in Art & Abstract Objects, edited by Christy Mag Uidhir, pp. 197–221. Basingstoke, Hampshire: Palgrave Macmillan, doi:10.1093/acprof:oso/9780199691494.001.0001.
Kania, Andrew. 2012c. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/fall2012/entries/music/.
Kania, Andrew. 2017a. “Music and Time.” in The Routledge Handbook of Philosophy of Temporal Experience, edited by Ian Phillips, pp. 349–360. Routledge Handbooks in Philosophy. London: Routledge.
Kania, Andrew. 2017b. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/fall2017/entries/music/.
Kania, Andrew. 2023. “The Philosophy of Music.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2023/entries/music/.