John V. Kulvicki (kulvicki)

Mentioned on the following portal pages

Contributions to Philosophie.ch

Bibliography

Kulvicki, John V. 2004. “Isomorphisms in Information Carrying Systems.” Pacific Philosophical Quarterly 85(4): 380–395.
Kulvicki, John V. 2005. “Perceptual Content, Information, and the Primary/Secondary Quality Distinction.” Philosophical Studies 122(2): 103–131.
Kulvicki, John V. 2006a. On Images. Their Structure and Content. Oxford: Oxford University Press, doi:10.1093/019929075X.001.0001.
Kulvicki, John V. 2006b. “Pictorial Representation.” Philosophy Compass 1(6): 535–546.
Kulvicki, John V. 2007a. “What is What It’s Like? Introducing Perceptual Modes of Presentation.” Synthese 156(2): 205–229.
Kulvicki, John V. 2007b. “Perceptual Content Is Vertically Articulate.” American Philosophical Quarterly 44(4): 357–369.
Kulvicki, John V. 2008a. “Artifact Expression.” in New Waves in Aesthetics, edited by Kathleen Stock and Katherine Thomson-Jones, pp. 84–104. New Waves in Philosophy. Basingstoke, Hampshire: Palgrave Macmillan.
Kulvicki, John V. 2008b. “The Nature of Noise.” Philosophers' imprint 8(11).
Kulvicki, John V. 2010. “Pictorial Diversity.” in Philosophical Perspectives on Depiction, edited by Catharine Abell and Katerina Bantinaki, pp. 25–51. Mind Association Occasional Series. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199585960.001.0001.
Kulvicki, John V. 2012. “Visual Arts.” in The Continuum Companion to Aesthetics, edited by Anna Christina Ribeiro, pp. 171–183. London: Bloomsbury Academic. Reprinted as Ribeiro (2015).
Kulvicki, John V. 2013. Images. London: Routledge.
Kulvicki, John V. 2014. “Sound Stimulants: Defending the Stable Disposition View.” in Perception and its Modalities, edited by Dustin R. Stokes, Mohan Matthen, and Stephen Biggs, pp. 205–221. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199832798.001.0001.
Kulvicki, John V. 2015a. “Information Theory.” in The Oxford Handbook of Philosophy of Perception, edited by Mohan Matthen, pp. 734–754. Oxford Handbooks. Oxford: Oxford University Press, doi:10.1093/oxfordhb/9780199600472.001.0001.
Kulvicki, John V. 2015b. “Maps, Pictures, and Predication.” Ergo 2(7): 149–174.
Kulvicki, John V. 2017a. “Recording and Representing, Analog and Digital.” in Giving a Damn. Essays in Dialogue with John Haugeland, edited by Zed Adams and Jacob Browning, pp. 269–289. Cambridge, Massachusetts: The MIT Press.
Kulvicki, John V. 2017b. “Auditory Perspectives.” in Current Controversies in Philosophy of Perception, edited by Bence Nanay, pp. 83–94. Current Controversies in Philosophy. New York: Routledge.
Kulvicki, John V. 2020. Modeling the Meaning of Pictures. Depiction and the Philosophy of Language. Oxford: Oxford University Press, doi:10.1093/oso/9780198847472.001.0001.
Kulvicki, John V. 2021. “Colour and the Arts: Chromatic Perspectives.” in The Routledge Handbook of Philosophy of Colour, edited by Derek Henry Brown and Fiona Macpherson, pp. 91–106. Routledge Handbooks in Philosophy. London: Routledge, doi:10.4324/9781351048521.