Charles O. Nussbaum (nussbaum-c)

Contributions to Philosophie.ch

Bibliography

Nussbaum, Charles O. 1985. “Schopenhauer’s Rejection of Kant’s Analysis of Cause and Effect.” Auslegung. A Journal of Philosophy 12(1): 33–44.
Nussbaum, Charles O. 1990. “Concepts, Judgments, and Unity in Kant’s Metaphysical Deduction of the Relational Categories.” Journal of the History of Philosophy 28(1): 89–103.
Nussbaum, Charles O. 1992. “Critical and Pre-Critical Phases in Kant’s Philosophy of Logic.” Kant-Studien 83(3): 280–293.
Nussbaum, Charles O. 1993. “Cartesian Influences in Kant’s Conception of the Matter of the Manifold of Intuition.” Southwest Philosophy Review 9(2): 1–28.
Nussbaum, Charles O. 1995. “Syntax, Semantics, and Pragmatics in Kant’s Schematism.” in Proceedings of the 8th International Kant-Congress Memphis 1995, volume II.1, edited by Hoke Robinson, pp. 321–330. Milwaukee, Wisconsin: Marquette University Press.
Nussbaum, Charles O. 2003. “Kinds, Types, and Musical Ontology.” The Journal of Aesthetics and Art Criticism 61(3): 273–291.
Nussbaum, Charles O. 2007. The Musical Representation. Meaning, Ontology, and Emotion. Cambridge, Massachusetts: The MIT Press.
Nussbaum, Charles O. 2013a. “Craning the Ultimate Skyhook: Millikan on the Law of Noncontradiction.” in Millikan and Her Critics, edited by Dan Ryder, Justine Kingsbury, and Kenneth Williford, pp. 176–192. Philosophers and Their Critics. Chichester: Wiley-Blackwell, doi:10.1002/9781118328118.
Nussbaum, Charles O. 2013b. “Emotion and Personal Identity.” in On Emotions: Philosophical Essays, edited by John Deigh, pp. 198–214. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199740192.001.0001.
Nussbaum, Charles O. 2015. “Musical Perception.” in The Oxford Handbook of Philosophy of Perception, edited by Mohan Matthen, pp. 495–514. Oxford Handbooks. Oxford: Oxford University Press, doi:10.1093/oxfordhb/9780199600472.001.0001.