Elisabeth Schellekens (schellekens)

Mentioned on the following portal pages

Contributions to Philosophie.ch

Bibliography

Schellekens, Elisabeth. 2005. “ ‘Seeing is Believing’ and ‘Believing is Seeing’ .” Acta Analytica 20(4): 10–23.
Schellekens, Elisabeth. 2006. “Towards a Reasonable Objectivism for Aesthetic Judgements.” The British Journal of Aesthetics 46(2): 163–177.
Schellekens, Elisabeth. 2007. “Conceptual Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/sum2007/entries/conceptual-art/.
Schellekens, Elisabeth. 2008. “Three Debates in Meta-Aesthetics.” in New Waves in Aesthetics, edited by Kathleen Stock and Katherine Thomson-Jones, pp. 170–187. New Waves in Philosophy. Basingstoke, Hampshire: Palgrave Macmillan.
Schellekens, Elisabeth. 2009a. “Taste and Objectivity: The Emergence of the Concept of the Aesthetic.” Philosophy Compass 4(5): 734–743.
Schellekens, Elisabeth. 2009b. “Art. Emotion, Ethics: Conceptual Boundaries and Kinds of Value [on Gaut (2007)].” Philosophical Books 50(3): 158–171.
Schellekens, Elisabeth. 2011. “Experiencing the Aesthetic: Kantian Autonomy or Evolutionary Biology?” in The Aesthetic Mind. Philosophy and Psychology, edited by Elisabeth Schellekens and Peter Goldie, pp. 223–238. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199691517.001.0001.
Schellekens, Elisabeth. 2012a. “Taking a Moral Perspective: On Voyeurism in Art.” in Art and Pornography: Philosophical Essays, edited by Hans Maes and Jerrold Levinson, pp. 309–328. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.
Schellekens, Elisabeth. 2012b. “Aesthetic Properties.” in The Continuum Companion to Aesthetics, edited by Anna Christina Ribeiro, pp. 84–97. London: Bloomsbury Academic. Reprinted as Ribeiro (2015).
Schellekens, Elisabeth. 2014. “Conceptual Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2014/entries/conceptual-art/.
Schellekens, Elisabeth. 2016. “Aesthetic Sensibility, Epistemic Virtue, and Emotional Sharing.” in Art, Mind, and Narrative. Themes from the Work of Peter Goldie, edited by Julian Dodd, pp. 209–222. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780198769736.001.0001.
Schellekens, Elisabeth. 2017a. “Value Judgements and Standards of Normative Assessment.” in Semantics of Aesthetic Judgements, edited by James O. Young, pp. 140–159. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780198714590.001.0001.
Schellekens, Elisabeth. 2017b. “Conceptual Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/win2017/entries/conceptual-art/.
Schellekens, Elisabeth. 2022. “Conceptual Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/sum2022/entries/conceptual-art/.
Schellekens, Elisabeth and Goldie, Peter, eds. 2011a. The Aesthetic Mind. Philosophy and Psychology. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199691517.001.0001.
Schellekens, Elisabeth and Goldie, Peter. 2011b. “Introduction.” in The Aesthetic Mind. Philosophy and Psychology, edited by Elisabeth Schellekens and Peter Goldie, pp. 1–7. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199691517.001.0001.

Further References

Gaut, Berys. 2007. Art, Emotion and Ethics. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199263219.001.0001.