Jerrold Levinson (levinson-j)

Mentioned on the following portal pages

Cited in the following articles

Contributions to Philosophie.ch

Bibliography

Levinson, Jerrold. 1974. “Why There are No Tropes.” Translated into French and reprinted as Levinson (2004).
Levinson, Jerrold. 1978. “Properties and Related Entities.” Philosophy and Phenomenological Research 39: 1–22.
Levinson, Jerrold. 1980. “The Particularisation of Attributes.” Australasian Journal of Philosophy 58: 102–115.
Levinson, Jerrold. 1984. “Aesthetic Supervenience.” The Southern Journal of Philosophy 22(suppl.): 93–110.
Levinson, Jerrold. 1991a. “Attribute.” in Handbook of Metaphysics and Ontology, edited by Hans Burkhardt and Barry Smith. Analytica: Investigations in Logic, Ontology, and the Philosophy of Language n. 2. München: Philosophia Verlag.
Levinson, Jerrold. 1991b. “Music.” in Handbook of Metaphysics and Ontology, edited by Hans Burkhardt and Barry Smith. Analytica: Investigations in Logic, Ontology, and the Philosophy of Language n. 2. München: Philosophia Verlag.
Levinson, Jerrold. 1995. “Pleasure and the Value of Works of Art.” The British Journal of Aesthetics 32(4): 295–306.
Levinson, Jerrold. 1996. The Pleasures of Aesthetics. Ithaca, New York: Cornell University Press.
Levinson, Jerrold, ed. 1998a. Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press.
Levinson, Jerrold. 1998b. Music in the Moment. Ithaca, New York: Cornell University Press.
Levinson, Jerrold. 2001. “Who’s Afraid of Paraphrase?” Theoria 67(1).
Levinson, Jerrold. 2002. “Sound, Gesture, Spatial Imagination and the Expression of Emotion in Music.” in Emotion and Action, edited by Elisabeth Pacherie. European Review of Philosophy n. 5. Stanford, California: CSLI Publications.
Levinson, Jerrold, ed. 2003a. The Oxford Handbook of Aesthetics. Oxford Handbooks. New York: Oxford University Press.
Levinson, Jerrold. 2003b. “Musical Thinking.” in Midwest Studies in Philosophy 27: Meaning in the Arts, edited by Peter A. French and Howard K. Wettstein, pp. 59–68. Boston, Massachusetts: Blackwell Publishers.
Levinson, Jerrold. 2003c. “Sexual Perversity.” The Monist 86(1): 30–54.
Levinson, Jerrold. 2004. “Pourquoi il n’y a pas de tropes.” in La structure du monde: objets, propriétés, états de choses. Renouveau de la métaphysique dans l’école australienne de philosophie, edited by Jean-Maurice Monnoyer, pp. 371–386. Recherches sur la philosophie et le langage. Paris: Librairie philosophique Jean Vrin. Traduction et première publication de Levinson (1974).
Levinson, Jerrold, ed. 2005a. The Oxford Handbook of Aesthetics. Oxford Handbooks. Oxford: Oxford University Press, doi:10.1093/oxfordhb/9780199279456.001.0001.
Levinson, Jerrold. 2005b. “Erotic Art and Pornographic Pictures.” Philosophy and Literature 29(1): 228–240.
Levinson, Jerrold. 2005c. “Aesthetic Properties.” Proceedings of the Aristotelian Society, Supplementary Volume 79.
Levinson, Jerrold. 2006a. Contemplating Art. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199206179.001.0001.
Levinson, Jerrold. 2006b. “Why There Are No Tropes.” Philosophy 81(4): 563–580. Republication of Levinson (2004).
Levinson, Jerrold. 2006c. “Musical Expressiveness as Hearability-as-expression.” in Contemporary Debates in Aesthetics and the Philosophy of Art, edited by Matthew Kieran, pp. 192–204. Contemporary Debates in Philosophy n. 5. Oxford: Blackwell Publishers.
Levinson, Jerrold. 2007. “Artworks as Artifacts .” in Creations of the Mind: Theories of Artifacts and their Representation , edited by Eric Margolis and Stephen Laurence, pp. 74–82. Oxford: Oxford University Press, doi:10.1093/oso/9780199250981.003.0005.
Levinson, Jerrold. 2009. “Aesthetic Pleasure.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 121–123. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Levinson, Jerrold. 2011a. Music, Art, & Metaphysics. Essays in Philosophical Aesthetics. Oxford: Oxford University Press.
Levinson, Jerrold. 2011b. “Beauty is Not One: The Irreducible Variety of Visual Beauty.” in The Aesthetic Mind. Philosophy and Psychology, edited by Elisabeth Schellekens and Peter Goldie, pp. 190–207. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199691517.001.0001.
Levinson, Jerrold. 2012a. “Is Pornographic Art Comparable to Religious Art? Reply to Davies (2012).” in Art and Pornography: Philosophical Essays, edited by Hans Maes and Jerrold Levinson, pp. 83–93. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.
Levinson, Jerrold. 2012b. “Indication, Abstraction, and Individuation.” in Art & Abstract Objects, edited by Christy Mag Uidhir, pp. 49–61. Basingstoke, Hampshire: Palgrave Macmillan, doi:10.1093/acprof:oso/9780199691494.001.0001.
Levinson, Jerrold. 2012c. “Popular Song as Moral Microcosm: Life Lessons from Jazz Standards.” in Philosophy and the Arts, edited by Anthony O’Hear, pp. 51–66. Royal Institute of Philosophy Supplement n. 71. Cambridge: Cambridge University Press.
Levinson, Jerrold. 2015. Musical Concerns. Essays in Philosophy of Music. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199669660.001.0001.
Levinson, Jerrold. 2016a. Aesthetic Pursuits. Essays in Philosophy of Art. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780198767213.001.0001.
Levinson, Jerrold. 2016b. “Musical Value.” in Handbook of Value. Perspectives from Economics, Neuroscience, Philosophy, Psychology, and Sociology, edited by Tobias Brosch and David Sander, pp. 313–328. New York: Oxford University Press.
Levinson, Jerrold. 2022. “Ronald de Sousa, ses propriétés singulières.” in A Tribute to Ronald de Sousa, edited by Julien Amos Deonna, Christine Tappolet, and Fabrice Teroni. Genève: University of Geneva, https://www.unige.ch/cisa/related-sites/ronald-de-sousa/assets/pdf/Levinson_Paper.pdf.
Levinson, Jerrold and Alperson, Philip. 1991. “What is Temporal Art?” in Midwest Studies in Philosophy 16: Philosophy and the Arts, edited by Peter A. French, Theodore E. Uehling Jr., and Howard K. Wettstein, pp. 439–450. Notre Dame, Indiana: University of Notre Dame Press.
Maes, Hans and Levinson, Jerrold, eds. 2012a. Art and Pornography: Philosophical Essays. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.
Maes, Hans and Levinson, Jerrold. 2012b. “Introduction.” in Art and Pornography: Philosophical Essays, edited by Hans Maes and Jerrold Levinson, pp. 1–15. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.

Further References

Davies, David. 2012. “Pornography, Art, and the Intended Response of the Receiver.” in Art and Pornography: Philosophical Essays, edited by Hans Maes and Jerrold Levinson, pp. 61–82. New York: Oxford University Press, doi:10.1093/acprof:oso/9780199609581.001.0001.