Paisley Livingston (livingston-p)

My contributions to Philosophie.ch

Bibliography

Livingston, Paisley. 1992. “Girard and the Origin of Culture.” in Understanding Origins. Contemporary Views on the Origins of Life, MInd and Society, edited by Francisco J. Varela and Jean-Pierre Dupuy, pp. 91–112. Boston Studies in the Philosophy of Science n. 130. Dordrecht: Kluwer Academic Publishers.
Livingston, Paisley. 2001. “Narrative.” in The Routledge Companion to Aesthetics, edited by Berys Gaut and Dominic McIver Lopes, 1st ed., pp. 359–370. Routledge Philosophy Companions. London: Routledge. Page references are to the second edition.
Livingston, Paisley. 2002. “Rationality and Emotion.” SATS – Northern European Journal of Philosophy 3(2): 7–24.
Livingston, Paisley. 2005. Art and Intention. A philosophical study. Oxford: Oxford University Press, doi:10.1093/0199278067.001.0001.
Livingston, Paisley. 2008a. “Review of Badiou (2005).” Inquiry 51(2): 217–238.
Livingston, Paisley. 2008b. “Recent Work on Cinema as Philosophy.” Philosophy Compass 3(4): 590–603.
Livingston, Paisley. 2009a. Cinema, Philosophy, Bergman. On Film as Philosophy. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199570171.001.0001.
Livingston, Paisley. 2009b. “Fiction, Truth in.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 281–283. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Livingston, Paisley. 2009c. “Lewis, C(larence) I(rving).” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 405–407. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Livingston, Paisley. 2010a. “Authorial Intention and the Varieties of Intentionalism.” in A Companion to the Philosophy of Literature, edited by Garry L. Hagberg and Walter Jost, pp. 401–419. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444315592.
Livingston, Paisley. 2010b. “Teaching & Learning Guide for: Cinema as Philosophy.” Philosophy Compass 5(4): 359–362.
Livingston, Paisley. 2011a. “Ingmar Bergman.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 560–568. Routledge Philosophy Companions. London: Routledge.
Livingston, Paisley. 2011b. “History of the Ontology of Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/fall2011/entries/art-ontology-history/.
Livingston, Paisley. 2012a. “On Cinematic Genius: Ontology and Appreciation.” in Philosophy and the Arts, edited by Anthony O’Hear, pp. 85–104. Royal Institute of Philosophy Supplement n. 71. Cambridge: Cambridge University Press.
Livingston, Paisley. 2012b. “New Directions in Aesthetics.” in The Continuum Companion to Aesthetics, edited by Anna Christina Ribeiro, pp. 255–270. London: Bloomsbury Academic. Reprinted as Ribeiro (2015).
Livingston, Paisley. 2012c. “History of the Ontology of Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/fall2012/entries/art-ontology-history/.
Livingston, Paisley. 2013. “History of the Ontology of Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/sum2013/entries/art-ontology-history/.
Livingston, Paisley. 2016a. “Authorship.” in The Routledge Companion to Philosophy of Literature, edited by Noël Carroll and John Gibson, pp. 173–183. Routledge Philosophy Companions. London: Routledge.
Livingston, Paisley. 2016b. “History of the Ontology of Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/sum2016/entries/art-ontology-history/.
Livingston, Paisley. 2019. “Lange vs James on Emotion, Passion, and the Arts.” in Passions and the Emotions, edited by Anthony O’Hear, pp. 39–56. Royal Institute of Philosophy Supplement n. 85. Cambridge: Cambridge University Press.
Livingston, Paisley. 2020. “History of the Ontology of Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/sum2020/entries/art-ontology-history/.
Livingston, Paisley. 2024. “History of the Ontology of Art.” in The Stanford Encyclopedia of Philosophy. Stanford, California: The Metaphysics Research Lab, Center for the Study of Language; Information, https://plato.stanford.edu/archives/sum2024/entries/art-ontology-history/.
Livingston, Paisley and Pettersson, Mikael. 2017. “Thought Experiments in Aesthetics.” in A Companion to Applied Philosophy, edited by Kasper Lippert-Rasmussen, Kimberley Brownlee, and David Coady, pp. 501–513. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781118869109.
Livingston, Paisley and Plantinga, Carl, eds. 2011. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions. London: Routledge.

Further References

Badiou, Alain. 2005. Being and Event. London: Continuum International Publishing Group. Translated by Oliver Feltham.