Berys Gaut (gaut)
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bng(at)st-andrews.ac.uk
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Conexus, Philosophic Exchange, L'imagination, comment l'interroge-t-on en philosophie?, Creativity and Virtual RealityContributions to Philosophie.ch
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Bibliography
Cullity, Garrett and Gaut, Berys, eds. 1997a. Ethics and Practical Reason. Oxford: Oxford University Press, doi:10.1093/oso/9780198236467.001.0001.
Cullity, Garrett and Gaut, Berys. 1997b. “Introduction.” in Ethics and Practical Reason, edited by Garrett Cullity and Berys Gaut, pp. 1–28. Oxford: Oxford University Press, doi:10.1093/oso/9780198236467.001.0001.
Gaut, Berys. 1997a. “Metaphor and the Understanding of Art.” Proceedings of the Aristotelian Society 97: 223–241.
Gaut, Berys. 1997b. “The Structure of Practical Reason.” in Ethics and Practical Reason, edited by Garrett Cullity and Berys Gaut, pp. 161–188. Oxford: Oxford University Press, doi:10.1093/oso/9780198236467.001.0001.
Gaut, Berys. 1998. “The Ethical Criticism of Art.” in Aesthetics and Ethics: Essays at the Intersection, edited by Jerrold Levinson, pp. 182–203. Cambridge: Cambridge University Press.
Gaut, Berys. 2001. “Art and Ethics.” in The Routledge Companion to Aesthetics, edited by Berys Gaut and Dominic McIver Lopes, 1st ed., pp. 431–444. Routledge Philosophy Companions. London: Routledge. Page references are to the second edition.
Gaut, Berys. 2004. “The Philosophy of the Movies: Cinematic Narration.” in The Blackwell Guide to Aesthetics, edited by Peter Kivy, pp. 230–253. Blackwell Philosophy Guides. Oxford: Blackwell Publishers, doi:10.1002/9780470756645.
Gaut, Berys. 2006. “Art and Cognition.” in Contemporary Debates in Aesthetics and the Philosophy of Art, edited by Matthew Kieran, pp. 115–126. Contemporary Debates in Philosophy n. 5. Oxford: Blackwell Publishers.
Gaut, Berys. 2007. Art, Emotion and Ethics. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199263219.001.0001.
Gaut, Berys. 2009a. “Creativity.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 207–210. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Gaut, Berys. 2009b. “Morality and Art.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 428–430. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
Gaut, Berys. 2010a. “Empathy and Identification in Cinema.” in Midwest Studies in Philosophy 34: Film and the Emotions, edited by Peter A. French and Howard K. Wettstein, pp. 136–157. Malden, Massachusetts: Wiley-Blackwell.
Gaut, Berys. 2010b. “The Philosophy of Creativity.” Philosophy Compass 5(12): 1034–1046.
Gaut, Berys. 2011. “Digital Cinema.” in The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, pp. 75–85. Routledge Philosophy Companions. London: Routledge.
Gaut, Berys. 2014a. “Mixed Motivations: Creativity as a Virtue.” in Philosophical Aesthetics and the Sciences of Art, edited by Gregory Currie, Matthew Kieran, Aaron Meskin, and Margaret Moore, pp. 183–202. Royal Institute of Philosophy Supplement n. 75. Cambridge: Cambridge University Press.
Gaut, Berys. 2014b. “Educating for Creativity.” in The Philosophy of Creativity. New Essays, edited by Elliot Samuel Paul and Scott Bary Kaufman, pp. 265–287. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780199836963.001.0001.
Gaut, Berys. 2016. “Cinematic Art and Technology.” in Current Controversies in Philosophy of Film, edited by Katherine Thomson-Jones, pp. 53–100. Current Controversies in Philosophy. New York: Routledge.
Gaut, Berys and Kerstein, Samuel J. 1999. “The Derivation without the Gap: Rethinking Groundwork I.” Kantian Review 3: 18–40.
Gaut, Berys and Lopes, Dominic McIver, eds. 2001. The Routledge Companion to Aesthetics. 1st ed. Routledge Philosophy Companions. London: Routledge.