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Peter Kivy (kivy)

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Bibliography

    Kivy, Peter. 1983. Platonism in Music: A Kind of Defense.” Grazer Philosophische Studien 19: 109–129. “The Worlds of Art and the World,” ed. by Joseph Margolis.
    Kivy, Peter. 1988. Hearing the Emotions.” Philosophic Exchange 19: 107–120.
    Kivy, Peter. 1989. Seeing (and so forth) is Believing (among other things); on the Significance of Reid in the History of Aesthetics.” in The Philosophy of Thomas Reid, edited by Melvin Dalgarno and Eric C. Matthews, pp. 307–328. Philosophical Studies Series n. 42. Dordrecht: D. Reidel Publishing Co.
    Kivy, Peter. 1990. Music Alone. Philosophical Reflections on the Purely Musical Experience. Ithaca, New York: Cornell University Press.
    Kivy, Peter. 1991a. Is Music an Art? The Journal of Philosophy 88(10): 544–554.
    Kivy, Peter. 1991b. Science and Aesthetic Appreciation.” in Midwest Studies in Philosophy 16: Philosophy and the Arts, edited by Peter A. French, Theodore E. Uehling Jr., and Howard K. Wettstein, pp. 180–195. Notre Dame, Indiana: University of Notre Dame Press.
    Kivy, Peter. 1992. Oh Boy! You Too! Aesthetic Emotivism Reexamined.” in The Philosophy of A.J. Ayer, edited by Lewis Edwin Hahn, pp. 309–325. The Library of Living Philosophers n. 21. LaSalle, Illinois: Open Court Publishing Co.
    Kivy, Peter. 1994. In Defense of Musical Representation: Music, Representation and the Hybrid Arts.” in Artifacts, Representations & Social Practice, Essays for Marx Wartofsky, edited by Carol C. Gould and Robert S. Cohen, pp. 53–68. Boston Studies in the Philosophy of Science n. 154. Dordrecht: Kluwer Academic Publishers.
    Kivy, Peter. 1995. Authenticities. Philosophical Reflections on Musical Performance. Ithaca, New York: Cornell University Press.
    Kivy, Peter. 1998. On the Banality of Literary Truths.” Philosophic Exchange 28: 17–27.
    Kivy, Peter. 2003. The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics. Oxford: Oxford University Press, doi:10.1093/0199260028.001.0001.
    Kivy, Peter, ed. 2004a. The Blackwell Guide to Aesthetics. Blackwell Philosophy Guides. Oxford: Blackwell Publishers, doi:10.1002/9780470756645.
    Kivy, Peter. 2004b. Introduction: Aesthetics Today.” in The Blackwell Guide to Aesthetics, edited by Peter Kivy, pp. 1–12. Blackwell Philosophy Guides. Oxford: Blackwell Publishers, doi:10.1002/9780470756645.
    Kivy, Peter. 2004c. Music, Language and Cognition: Which doesn’t belong? in Truth, Rationality, Cognition, and Music, edited by Kepa Korta and Jesús M. Larrazabal, pp. 157–174. Philosophical Studies Series n. 102. Dordrecht: Springer.
    Kivy, Peter. 2006a. Performance of Reading: An Essay in the Philosophy of Literature. New Directions in Aesthetics. Oxford: Blackwell Publishers, doi:10.1002/9780470776650.
    Kivy, Peter. 2006b. Reid’s Philosophy of Art.” in The Cambridge Companion to Thomas Reid, edited by Terence Cuneo and René van Woudenberg, pp. 267–288. Cambridge Companions to Philosophy. Cambridge: Cambridge University Press.
    Kivy, Peter. 2007. Another Go at the Meaning of Music: Koopman, Davies, and the Meanings of ‘Meaning’ .” in Contemporary Philosophy: A new survey. Volume 9: Aesthetics and Philosophy of Art, edited by Guttorm Fløistad, pp. 285–302. Berlin: Springer.
    Kivy, Peter. 2009a. Antithetical Arts. On the Ancient Quarrel Between Literature and Music. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780198746782.001.0001.
    Kivy, Peter. 2009b. Hutcheson, Francis.” in A Companion to Aesthetics, edited by Stephen John Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker, and David E. Cooper, 2nd ed., pp. 338–340. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444310436.
    Kivy, Peter. 2010. The Experience of Reading.” in A Companion to the Philosophy of Literature, edited by Garry L. Hagberg and Walter Jost, pp. 106–119. Blackwell Companions to Philosophy. Chichester: Wiley-Blackwell, doi:10.1002/9781444315592.
    Kivy, Peter. 2011. Once-Told Tales – An Essay in Literary Aesthetics. New Directions in Aesthetics. Chichester: Wiley-Blackwell, doi:10.1002/9781444397666.
    Kivy, Peter. 2012. Authorial Intention and the Pure Musical Parameters.” in Philosophy and the Arts, edited by Anthony O’Hear, pp. 33–50. Royal Institute of Philosophy Supplement n. 71. Cambridge: Cambridge University Press.
    Kivy, Peter. 2015. De Gustibus. Arguing about Taste and Why We Do It. Oxford: Oxford University Press, doi:10.1093/acprof:oso/9780198746782.001.0001.
    Kivy, Peter. 2016. Hume’s Taste and the Rationalist Critique.” in The Oxford Handbook of Hume, edited by Paul Russell, pp. 531–545. Oxford Handbooks. New York: Oxford University Press, doi:10.1093/oxfordhb/9780199742844.001.0001.